About Me
EDUCATION
Based in New Jersey, I work as a full-time visual artist. I earned both my Bachelor of Arts and Master of Arts degrees from Kean University, building a strong foundation in art and design. My commitment to lifelong learning led me to pursue further postgraduate studies at the School of Visual Arts in New York City, where I expanded my skills in contemporary visual practices.
In addition to my fine art education, I studied at the Gemological Institute of America in both New York and California, deepening my knowledge of gemstones and jewelry design. I also had the privilege of studying silversmithing under Alan Place, a master silversmith originally from Australia and England, during his time teaching in New Jersey.
This blend of formal education and hands-on training across various disciplines continues to inform and enrich my creative work today.
CAREER
I began my creative career as an elementary art teacher, where I spent ten rewarding years nurturing artistic expression in young students. After a decade in education, I made the bold decision to shift my focus and pursue a long-standing interest in jewelry design. My work quickly gained recognition—Vera Wang selected one of my pieces to appear on the cover of Vogue Magazine, and my designs were also featured in Harper’s Bazaar and Time Magazine, showcased alongside Calvin Klein’s collection.
My jewelry line was carried by several major department stores and a wide range of boutiques, marking a successful chapter in my artistic journey. Eventually, I returned to my first love: painting.
Initially, I focused on still life and figurative work, including nudes, which deepened my understanding of form, light, and expression. Over time, I developed a growing interest in portraiture. What began as a personal exploration soon turned into a passionate endeavor when I received an overwhelming number of requests to paint dog portraits. This led me to explore the expressive and emotional connection between people and their pets—an extension of portraiture that continues to resonate deeply with my audience.
My Artwork
I’ve recently returned to my roots in abstract, non-objective painting, where bold colors become the central dialogue. Instead of traditional subject matter, I explore the interaction of positive and negative shapes, allowing form, space, and vibrant color relationships to shape the visual experience. The layering of hues and contrasts adds depth, movement, and emotion to the canvas.
In my portrait work, I take an unconventional approach—focusing on the expressive qualities of the face, particularly the emotions conveyed through the eyes. Instead of following conventional rules of realism or perspective, I choose a vibrant, modern aesthetic that highlights the subject’s character and inner life.